Select images above to view the model with an audience & side-by-side comparisons to historical photos.
"The past did not happen in 2D and that it cannot be effectively studied or taught as a series of disconnected static images that, for the most part, represent incomplete remains." – Donald H. Sanders, "Why Do Virtual Heritage?"
Did you know that this year marks the one hundred and fiftieth anniversary of the first queer political protest in the world? Surprisingly, most people do not. What would you say if I offered you the chance to relive that historic moment – when, in 1867, Karl Heinrich Ulrichs took to the stage of the Grand Hall of the Odeon Theater in Munich to protest anti-sodomy laws in front of the five-hundred-member Association of German Jurists? He did so on the basis of a new, communal, queer political identity of which he alone had conceived. He was eventually shouted down, but his efforts inspired generations of queer activists – a lineage that can be traced to the modern LGBT rights movement.
As I previously proposed, virtual heritage makes available that which no longer exists or that which is not easily accessible for all. Three-dimensional modeling recreates spaces in which history was lived, enacted, and experienced. Exploring such recreations is a means of engaging our senses. Visualizing history helps us attach imperfection, emotion and memory to events, contrary to claiming "objectivities" and reciting "facts." This particular representation of the Odeon can help us, as public historians, to humanize and celebrate Ulrichs' activism, and to offer an alternative perspective to the narratives absent in history textbooks and our popular historical imagination.